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Remembering African American Veterans with Honor

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By Dr. John E. Warren, Publisher, The San Diego Voice & Viewpoint

On November 11, 2019 Americans honored those brave men and women who have served in the military. It all started on November 11, 1918, when an Armistice between the Allied forces of World War I and Germany went into effect. In November 1919, President Woodrow Wilson declared November 11th Armistice Day, in recognition of the end of the War that was to end all Wars. In 1938, the U.S. Congress passed an Act declaring November 11, Armistice Day, a national holiday. In 1954, after World War II, President Dwight D. Eisenhower proposed and the Congress approved changing the name Armistice Day to Veterans Day, honoring all Americans who had served in all wars.

But the celebrations we have today do not do justice to the African Americans who have fought and died for America, in spite of the racism and segregated practices that have denied us full and equal treatment. Consider the following Hall of Fame of African Americans who have served and in many instances, died for this country:

Crispus Attucks, son of a slave, first American casualty of the Revolutionary War. March 5, 1770; Nurse Susie King Taylor, who in the 1800s, when it was illegal for African Americans to be educated, snuck in lessons at an underground school which she built with her passion to help others. She met and worked alongside Clara Barton, founder of the Red Cross.

During the Civil War; Lewis Martin of the 29th U.S. Colored Infantry, who lost a leg and an arm following the Battle of the Crater in July 1864;  the Buffalo Soldiers, as the Colored Soldiers of the 10th Cavalry became known, who fought both in the Civil War and the Indian Wars where they got the name ” Buffalo” from Native Americans; and Corporal Freddie Stowers, who led the all-Black 371st Infantry Regiment in France in a successful battle against German troops and was recommended for the Medal of Honor which was not given to him until 70 years later and awarded posthumously to his family. We also remember Corporal John T. Van Rensalier of the 350th HQ Battalion who was awarded the French Legion of Honor in WWI; Doris “Dorie” Miller, a Mess Stewart in the U.S. Navy, who became the first African American to win the Navy Cross based on service at Pearl Harbor in WWII. Let us not forget African American women like Colonel Margaret Barley serving in WWI and fighting for integrated military housing when Blacks were still fighting and living in a segregated army.

Let us remember Colonel Charles Young, the 3rd African American to graduate from West Point Military Academy and the first African American to reach the rank of “Colonel” in the U.S. Army; or the Tuskegee Airmen, Colored fighter pilots who never lost a plane they were escorting during WWII and paved the way for more than 1.2 million African Americans to enter the service during and following that war.

We have seen from history that African Americans who fought for the freedom of others on distant shores, came home to disenfranchisement, segregation, and subhuman treatment on every front where they should have received respect and equality for having served. We have seen from a historical point that a Black soldier named Charles Lewis, recently discharged from the military, was lynched in uniform in Hichman, Kentucky; in 1944, four Black soldiers after a white store owner claimed they tried to take over his place; in 1947, we repeat, how Joe Nathan Roberts, a Black Navy Veteran studying at Temple University on the G.I. Bill was abducted and shot because he wouldn’t say “Sir” to white men.

What is so important about these stories today is that if the opposition to “Critical Race Theory” is allowed to be implemented on the scale white legislatures and school boards are trying to do, to sanitize all discussion of America’s racist past, these stories will be lost along with the racist history they represent. Let us not forget that we have over 99 African American servicemen who earned and received the Medal of Honor in battle, fighting, and in some cases dying for a country who would only honor them when the flag was draped over their coffins and “Taps” played at their graveside.

We remember with pride our pioneering Black generals like General Benjamin Oliver Davis, Sr., U.S. Army, the first African American to obtain that rank in the U.S. Army, and his son Benjamin Oliver Davis, Jr., U.S. Air Force, as well as General Daniel “Chappy” James, fighter pilot, U.S. Air Force and General Colin Powell, City College of New York ROTC graduate who rose to become a four-star general and Chairman of the Joint Chiefs of Staff, twice, as well as the first African American Secretary of State under President George Bush.

Of the 3470 Medals of Honor given out since the beginning of this Award, 89 have been given to African Americans and the first African American to receive one was William Carney on July 18, 1863.

So, this Veterans Day, all African Americans have a very special and proud history to celebrate, recognizing that among those we honor and remember are our own countless “Band of Brothers and Sisters” that must not be forgotten in the first of Parades and Holiday Sales. “And still we rise.”

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TiBH

Today in Black History:  November 7th

 

1841 – The Creole Case Slave Revolt 

The Creole Case resulted from a slave revolt on the Creole in November 1841, leading to the liberation of 128 enslaved people in the Bahamas, marking it as the most successful slave revolt in U.S. history. The Creole, owned by Johnson and Eperson Company, was transporting 135 enslaved individuals from Richmond to New Orleans when the revolt occurred. Madison Washington, an escaped enslaved man seeking his wife, led the rebellion on November 7, 1841, alongside eighteen others. They overpowered the crew, killing slave trader John R. Hewell.

After taking control of the ship, the rebels initially demanded to sail to Liberia but were redirected to the British West Indies after learning of other enslaved people gaining freedom. Upon reaching Nassau, local Bahamians informed the rebels they were free under British law. Although Washington and several others were charged with mutiny, the Admiralty Court ultimately ordered their release, securing freedom for 128 enslaved individuals.

1916 – George W. Gibbs, Jr. Is Born

George W. Gibbs, Jr. was the first person of African descent to set foot on Antarctica, as well as a civil rights leader and a World War II Navy gunner. Born on November 7, 1916, in Jacksonville, Florida, he later moved to Brooklyn, New York, where he attended Brooklyn Technical School and served in the Civilian Conservation Corps during the 1930s. Gibbs joined Admiral Richard Byrd’s third expedition to Antarctica from 1939 to 1941, sailing on the USS Bear. On January 14, 1941, he became the first person off the ship to set foot on the continent.

During World War II, Gibbs served as a naval gunner and continued in the Navy for 24 years before retiring in 1959. He later graduated from the University of Minnesota and worked for IBM. Active in civil rights, Gibbs helped organize the Rochester NAACP chapter and broke the color barrier at the local Elks Club. He passed away on his 84th birthday, November 7, 2000.

 


California Leaders Pay Tribute to Quincy Jones

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By Reginald S. Webb Jr., California Black Media

On Nov. 4, the celebrated life of music producer Quincy Delight Jones came to an end at his home in Bel Air.

The cause of death has not been disclosed.

Jones leaves behind a rich legacy of music and achievements that spans 70 plus years. His impact on multiple genres of music as well as his contributions to art and education will have a lasting impact.

“Quincy Jones brought the world endless joy with his optimistic spirit and colossal imagination. Not a day goes by without hearing a masterpiece that Quincy produced or hearing about the good he created with his generous heart,” said Gov. Gavin Newsom. “Jen and I — and all of California — mourn the loss of this great humanitarian and artist.”

Jones was born on March 14, 1933, in Chicago. By 10 years old, Jones’s family relocated to Bremerton, Washington where he met his first formal music mentor, Robert Blackwell, a well-known arranger, bandleader, song writer, and producer. He was a vital part of Quincy’s growth as a musician.

In 1951, Jones earned a scholarship to study music at Seattle University. After a semester there, he transferred to Berklee College of Music in Boston. His stay at this college was short-lived because he left to tour with the jazz percussionist and bandleader Lionel Hampton.

“I’m deeply saddened to learn of Quincy Jones’ passing. His talent and resilience led him to not only break barriers but become one of the most successful producers of all time, touching countless lives through music,” said Congresswoman Sydney Kamlager (D-CA-37). “We’ll miss my fellow Chicagoan-turned-Angeleno.”

Later, Jones moved to New York City where he became a freelance song writer and arranger for several artists, including Ray Charles, Sarah Vaughn, Duke Ellington, Count Basie, and Dinah Washington. These freelance commissions led to him becoming the musical director for Dizzy Gillespie’s band.

In 1956, Jones formed his own band and released his first jazz album titled, “This is How I Feel About Jazz”. A year later, he moved to Paris to study composition

and theory. Jones spent 19 months in Paris where he became the musical director for Barclay Records.

When he returned to the U.S, Jones was hired by Irving Green, owner of Mercury Records, to be the musical director of the label’s New York division. Within a few years he became Vice President of the label. This made Jones the first African American to serve as VP of a major record label.

“Quincy Jones brought laughter, celebration, happiness and joy into the homes of millions. As a musician, composer, producer, and arranger, he changed our culture, and he changed our world,” said Los Angeles Mayor Karen Bass. “Mr. Jones broke barriers in an industry that had long worked to exclude artists that looked like him.”

During the 1960s, Jones produced records for Ella Fitzgerald, Lesley Gore, and Frank Sinatra. Toward the end of the decade into the 1970s, Jones began producing scores for television shows and major motion pictures, including Soul Bosonova, Who Needs Forever, In Cold Blood, In the Heat of The Night, The Italian Job, They Call Me Mr. Tibbs, The Getaway, and the popular TV series Sanford & Son.

Film scoring led to another trailblazing moment for Quincy Jones. He became the first African American to be nominated for an Academy Award for best original film score in 1967 for In Cold Blood. The same year he was also nominated for best original song for, The Eyes of Love, from a film titled Banning.

In 1978, Jones reluctantly agreed to be the music supervisor and producer for the musical soundtrack to the movie, The Wiz. He later revealed that he worked on this project as a favor for the film’s director Sidney Lumet. Working on this soundtrack would establish a connection with a young Michael Jackson and set the stage for collaboration on three albums that solidified both men as musical icons.

In 1979, Jones and Jackson collaborated on Off the Wall, which was Jackson’s first solo album. It sold over 20 million copies. A few years later they returned to the studio and in just eight weeks, created the best-selling album of all-time, “Thriller,” which sold an astounding 120 million copies. Thriller won seven Grammy awards, eight American Music Awards, and three MTV awards. The next album they collaborated on was, “Bad”, this album sold 45 million copies worldwide.

“He was unmatched in the creativity of his many productions. I will never forget how he worked with me to present Nelson Mandela, where 90 thousand people

showed up at the Los Angeles Coliseum following his release from prison in South Africa. Quincy Jones will never be forgotten,” remembers Congresswoman Maxine Waters (D-CA-43).

In 1985, Jones produced and arranged “We Are the World,” a song created to raise money for famine relief in Africa. With the help of Jackson and Lionel Richie, Jones brought together 43 of the biggest artists in the music industry to contribute to a moral cause. The song raised over 60 million dollars and won four Grammys and an American Music award.

Over his career, Jones received 80 Grammy nominations and won 28 of them. He released 16 studio jazz albums, 24 soundtracks albums, three live albums, and four compilation albums.

Six of his albums reached number one on the jazz charts. Jones also has 13 honorary doctorate degrees from various universities, including Julliard and Berklee College of Music.

1n 2011, President Barack Obama honored Jones with the National Medal of Arts.

Jones is survived by his seven children and six grandchildren.

“Jones has provided a soundtrack to the best moments of so many lives – and to the deepest movements of change in this country. Our city is forever bettered by his gifts. We celebrate his life, and we mourn this loss,” Bass paid tribute to Jones.


SDCCD Colleges Hope to be California’s First Black-Serving Institutions

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By VOICE & VIEWPOINT NEWSWIRE

Under Senate Bill 1348, colleges or universities that excel in supporting Black students and that have at least 10% or 1,500 students who are Black are eligible for California BSI designation that can help secure various state and federal grants. To qualify, colleges must have a Black student success program, providing academic and basic needs support to assist Black students, track their impact on Black student outcomes, and commit to serving Black students in their mission.

Nearly two-thirds of Black students who attend a higher education institution in California begin their postsecondary journey at a community college, but 63% of Black community college students don’t earn a degree, certificate, or transfer to a four-year institution within six years. Almost half leave college without earning a degree.

More than 5,500 SDCCD students identify as Black. Three SDCCD colleges already meet benchmarks set forth in SB 1348: San Diego City College, San Diego Mesa College, and San Diego College of Continuing Education (SDCCE). Presidents at all three say they will seek BSI designation.  

More than 13% percent of San Diego City College students in the spring of 2024 identified as Black, and nearly 6% identified as multiracial, according to data compiled by the California Community Colleges system. 

Mesa College, with an enrollment of 1,999 Black students in the 2023-24 academic year, has adopted The Harambee Protocol, which comprises a collaborative think thank with projects and programs working for the success of Black students. 

At SDCCE, more than 14%, or 2,313, of students in the spring of 2024 identified as Black, with an additional 2.5% identifying as multiracial.SDCCE is the only noncredit institution of the state’s 25 community colleges signing a long-term partnership with the Black Honors College.


Nigeria’s President Reshuffles Cabinet Amid Severe Cost-of-Living Crisis

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By Dyepkazah Shibayan, Associated Press

Nigerian President Bola Tinubu has fired five ministers and appointed seven new ones in a major cabinet reshuffle aimed at making his administration more efficient, his office said Wednesday [October 23].

The shake-up comes during worsening economic hardship and frustration with the administration in Africa’s most populous country.

Tinubu appointed new ministers for humanitarian and poverty reduction, trade and investment, labor and livestock development along with junior ministers for foreign affairs, education and housing, the statement said.

The ministers for education, tourism, women’s affairs and youth development and the junior minister for housing were fired.

Tinubu took office last year and introduced reforms meant to cut government spending and shore up dwindling foreign investments.

But more than a year later, Nigeria’s inflation rate is at a 28-year high and the naira currency is at record lows against the dollar.

Frustration over the cost-of-living crisis has led to several mass protests in recent months. In August, at least 20 people were shot dead and hundreds of others were arrested at protest demanding better opportunities and jobs for young people.

Despite being one of the top crude oil producers in Africa, Nigeria remains one of the world’s poorest countries. Chronic corruption means the lifestyle of its public officials rarely mirrors that of the general population, while medical professionals often strike to protest meager wages.

Last year, Tinubu approved millions of dollars in spending for his presidential yacht and sport utility vehicles for his wife and top government officials.


Will Gov. Newsom’s New Film and TV Tax Credit Prioritize Diversity?

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By Antonio‌ ‌Ray‌ ‌Harvey‌, California‌ ‌Black‌ ‌Media

(CBM) – Assemblymember Mike Gipson (D-Carson), a member of the California Legislative Black Caucus (CLBC) says he supports Gov. Gavin Newsom’s proposal to expand the state’s Film and Television Tax Credit Program from its current $330 million annual budget allocation to $750 million.

Gipson, who is chair of the Assembly Committee on Arts, Entertainment, Sports, and Tourism, says, historically, that tax credit has aimed to increase diversity, equity, and inclusion” as outlined in SB 132.

He’s counting on it to continue making diversity a priority.

“The Legislature finds and declares an overall trend toward increasing diversity based on existing research on diversity in the motion picture production and television industry,” the bill language states.

In a statement, Gipson told California Black Media (CBM) the tax credit, “would allow our state to be more competitive against states with tax incentive programs of their own, such as Georgia, New York, and New Mexico.”

“The film and television industry is iconic to California, impacting thousands of jobs for below-the-line workers on film and television crews, as well as many others working in hair and make-up, food services and transportation, costume and set design, and more,” Gipson continued.

According to the Governor’s office, the increase would uplift the state for capped film incentive programs, surpassing other states. Gipson says he agrees with Newsom’s assessment and the notion that the program would bring more business back to California.

“California is the entertainment capital of the world, rooted in decades of creativity, innovation, and unparalleled talent,” said Newsom on Oct 27 in L.A. at the unveiling of the tax credit.

“Expanding this program will help keep production here at home, generate thousands of good-paying jobs, and strengthen the vital link between our communities and the state’s iconic film and TV industry,” the Governor continued.

As chair, Gipson’s oversees programs and policies affecting the recording, motion picture, and other entertainment industries, tourism and arts programs, and museums. His purview also extends to professional and amateur sports, including the State Athletic Commission and the regulation of athlete agents.

California’s Film and Television Tax Credit Program has generated over $26 billion in economic activity and supported more than 197,000 cast and crew jobs across the state since it was created in 2009, according to Newsom’s office.

The California Film and Television Tax Credit 2.0, enacted in July 2015, has generated over $26 billion in economic activity and supported more than 197,000 cast and crew jobs across the state.

Asm. Mike Gipson (D-Carson) PHOTO: CBM

Now, for the first time in 15 years, tax credits will become refundable, beginning with “Program 4.0” set to get underway on July 1, 2025. According to the Newsom Administration, between 2020 and 2024, data reveals that California experienced lower production spending due to limited tax credit funding and increased competition in other states and countries. This dip in production directly impacted California’s labor market and local economies​​.

Los Angeles Mayor Karen Bass says she supports the proposal because California is the entertainment capital of the world and supporting a thriving film and television industry is key to the state’s economy.

Bass said she was Speaker of the Assembly when the tax credit program was first approved.

“I worked to support leaders like now-Councilman Paul Krekorian to create the film tax credit,” Bass said.  “Despite the economy being in a difficult spot, we knew that the industry needed support, and if we could at least start the program, then we could grow it.”

Newsom’s tax credit proposal is expected to appear as a bill during the next legislative session, raising concerns about diversity, equity, and inclusion for some lawmakers and advocates.

Gipson’s CLBC colleagues Sen. Lola Smallwood-Cuevas (D-Los Angeles) and Assemblymember Tina McKinnor (D-Inglewood) led a faction of legislators who demanded answers from Hollywood last year after several Black women left high-profile executive positions in Hollywood.

A number of those Black executives who left those prominent roles were leading DEI initiatives at major entertainment companies such as Netflix, Disney, British Broadcasting Company, Warner Bros., and the Academy of Motion Pictures Arts and Sciences.

Before the tax credit program was scheduled to sunset on June 30, 2025, on July 10, 2023, Newsom signed Senate Bill (SB) 132 to extend the state’s $1.65 billion or $330 million annually Film and TV Tax Credit Program for an additional five years through fiscal 2030-31.

Speaking on behalf of Black, Indigenous, and People of Color (BIPOC) employed in the industry, McKinnor and Smallwood Cuevas insist on holding television and film studio executives accountable as they benefit from taxpayer support but often appear reluctant to support Diversity, Equity and Inclusion initiatives.

“I was highly offended to see the industry’s response to a $1.6 billion tax subsidy by quietly eliminating Black women from executive positions with a number of studios,” said McKinnor. “Many of these women were involved in their studios’ diversity, equity, and inclusion efforts, which raises a serious question about their commitment to diversity, equity, and inclusion in the film industry.”

The legislation for this year’s tax credit program has not been written, but Gipson’s staff has indicated that he will not introduce it – even though the issue is close to his heart.

“The impacts of the entertainment industry go beyond movie theaters and television screens, with movies and shows drawing tourists to California from all around the world,” Gipson stated. “I applaud the work being done by the California Film Commission, the studios, and the entertainment unions, and I look forward to supporting this proposal next year as it moves through the legislative process.”


White Women, Latinos Return Trump to Power as Democrats’ Missteps Helps Usher in New Era

By Stacy M. Brown, NNPA Newswire Senior National Correspondent

If there were a job description for the presidency, it might as well be written in bold print: women and people of color need not apply. America made history on November 5, though not the kind many would have foreseen. Voters chose a convicted leader whom a jury has found guilty 34 times, a man whom a judge ruled committed massive business fraud, while another court determined he had sexually assaulted a journalist.

They chose the felon over the prosecutor, fascism over democracy, and servitude over freedom.

Latinos and white women, many of whom once more voted against their own interests, who have borne the brunt of his attacks, were primarily responsible for this outcome. But plainly put, Donald Trump has ascended to the highest office in the land once more. A bruised Kamala Harris, meanwhile, didn’t bother to address the thousands of heartbroken supporters who had gathered at Howard University and soaked up hours by dancing, praying, and hoping that they’d witness the first woman—and first Black and Southeast Asian woman—claim the presidency. As the clock ticked toward midnight, it became clear: Trump had taken the race, and, surprisingly, it wasn’t even close.

“I have to say from basically start to finish this night has been clear,” election analyst Harry Enten said on CNN. “There hasn’t been any weird shifting directions. It’s basically been Trump since we got the first counties in. Very much unlike 2020 when there was whiplash as the vote count went on.” Unofficial results showed that Trump earned at least 276 electoral college votes compared to Harris’s 223.

The battleground states that so-called experts had insisted were in play weren’t close at all: North Carolina, Georgia, Pennsylvania, Wisconsin, Michigan, and Ohio all went Trump.

Riding Trump’s wave, the GOP regained control of the Senate, guaranteeing the rapid implementation of their sweeping conservative agenda, Project 2025. Democrats held out hope for the House, but with Trump facing little to no punishment for his alleged crimes, many wonder if it matters. Many European leaders watched the results overnight.

A French official told NBC News that President Emmanuel Macron viewed the results with some sleep breaks in between. He was one of the first to congratulate Trump, posting on X that he was “ready to work together as we did for four years.”

In Europe, the viability of NATO and other trans-Atlantic alliances hangs in the balance. Despite controversy over Labor Party officials openly backing Harris, Prime Minister Keir Starmer had little choice when he expressed optimism about the “special relationship” between the U.K. and U.S., saying, “I look forward to working with you in the years ahead.”

Hungarian Prime Minister Viktor Orban, himself viewed as the kind of dictator Trump promises to become, appeared ecstatic, writing on X, “The biggest comeback in U.S. political history! A much-needed victory for the World!” German Chancellor Olaf Scholz took a more formal tone, emphasizing Germany’s commitment to working with the U.S. “promoting prosperity and freedom,” while European Commission President Ursula von der Leyen described the E.U.-U.S. relationship as “a true partnership.”

Back home, the path forward looks perilous for Trump’s political enemies. The outcome is a catastrophe for the world, many said. While Harris’s campaign was characterized by skill, grace, and a desire to become the first female president in America’s 248-year history, Trump’s campaign was marred by vulgarity, inflammatory rhetoric, and an attitude toward immigrants that often-echoed history’s darkest chapters. It may have been fair to ask, how was the race even close?

Exit polls reveal that white women, who appeared on the verge of breaking free from the grip of MAGA ideology, voted heavily for Trump despite his disregard for their rights and autonomy. Latino voters also leaned toward Trump, despite his incendiary rhetoric, which included labeling Puerto Rico as an “island of trash” at a recent Madison Square Garden rally.

Democrats must also face the reality of their shocking defeat. After a final debate in which some questioned his cognitive skills, the party sidelined President Joe Biden yet failed to portray Trump as the volatile threat he posed. With his 2020 victory in hand, Biden had warned that he alone could defeat Trump. But instead of managing their issues internally, Democrats choose to embarrass Biden, forcing him out just over 100 days before the election.

Although Harris raised unprecedented amounts of cash and had the backing of global celebrities, she and the Democratic National Committee faced criticism from Black Americans. There were complaints that the campaign appeared to scapegoat Black men, with even former President Barack Obama publicly admonishing Black voters for not doing enough.

High-ranking Democrats, including DNC Chair Jamie Harrison and former Congressman Cedric Richmond, played and lost the dangerous game of alienating Black voters, too. The campaign and the DNC largely ignored the Black Press, notably the National Newspaper Publishers Association (NNPA)—the trusted voice of Black America. Instead of engaging with Black-owned outlets in a move that would not only have provided needed resources for these African American small businesses while helping to get the party’s vital messaging to a critical constituency, the DNC choose to enrich wealthy mainstream outlets and leave out the Black Press. The DNC betrayed the NNPA by allowing the DNC to approach some Black newspapers with miniscule ad buys.

Harris’s campaign, if reluctantly so, only carried through on Biden’s original promise to spend the same $1.5 million with the Black Press of America that Biden’s people had promised. The paltry sum even rankled high-ranking Black lawmakers like Congressman Benny Thompson of Mississippi, who led the House Committee investigating Trump. Harris’s campaign and the DNC wrongly determined that the nearly 200-year-old Black Press couldn’t reach Black and Latino communities as effectively as megastars like Beyoncé, Tyler Perry, and Samuel L. Jackson. Instead, as an extension of the Biden administration, they offered cursory invites to functions like the White House’s Black Excellence celebration, and, after some pleading, access to campaign events like the vice president’s closing argument on the Ellipse and her no-show appearance at Howard University.

There’s little doubt that limited ad buys and the flat refusal to engage the Black Press backfired.

A lack of Trump’s accountability made the mistakes worse. Following his second impeachment by the House, Republican Senate leader Mitch McConnell, who had called Trump “stupid” and “despicable,” had the opportunity to bar Trump from ever running again. But McConnell balked, and Trump was acquitted. After Trump incited the January 6 insurrection, Democrats in Congress led a drawn-out investigation before finally recommending criminal charges. By the time prosecutors in New York, Georgia, Washington, and Florida issued indictments, Trump had rebranded these as “political witch hunts,” gathering momentum as a martyr figure.

“For nearly a decade, he has tapped into America’s id,” U.S. Guardian editor Betsy Reed observed, pointing to a painful racial history stoked by Obama’s election and a sense of displacement among white Christian Americans. Xenophobia, Reed added, remains the backbone of Trump’s political identity. His campaign’s investment in ads stirring fear over transgender rights (“Kamala’s agenda is they/them, not you”) only magnified the appeal.

With a sinister assist from billionaire Elon Musk, Trump secured his victory. “Now brace for another Trump inauguration—American carnage redux—and another fantastical claim about his crowd size,” Reed declared. “Brace for norms to be trampled, institutions to be undermined, opponents to be targeted for retribution. Brace for an Oval Office occupied by a malignant narcissist without guardrails this time. Brace for unhinged all-caps tweets that trigger news cycles and move markets. Brace for national anxiety off the charts and global tremors from China to Ukraine. Brace, also, for a new resistance and surge of anti-Trump energy.”

While many across the globe and in America ask how Trump returned to power, Reed concluded with an ominous reflection: “America had ample opportunities to stop Donald Trump, but each time, it failed. It won’t turn into an autocracy overnight, but there’s no doubt this is a democracy in decay.” And in a piercing final remark, she paraphrased Oscar Wilde: “To elect Trump once may be regarded as a misfortune; to elect him twice looks like madness.”


Church Women United’s World Community Day

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By Tihut Tamrat, Contributing Writer 

In celebration of World Community Day, cultural diversity, and global awareness, Church Women United of San Diego hosted various activities to manifest the importance of coming together as a nation “to walk humbly with God.” Songs were sung, the word of God spoken, and the “The Price is Right” game was played jubilantly on the morning of November 1st until the food was served. 

World Community Day began in 1943 from discussions at a meeting for the study of peace by church women. Now, World Community Day not only emphasizes peace but has also expanded to include topics supporting justice for all, to promote unity amongst all people.

To start off the celebration, Betty Hunn, Church Women United (CWU) President gave a few words of welcome, followed by the history of World Community Day presented by Faustine Chambers, Parliamentarian of CWU,  after which, Alsie Jones, 2nd Vice President of CWU gave the World Community Day Litany. 

“We need to practice being humble. Sometimes, we get very full of ourselves and think we’re better than others or more important. Jesus washed the feet of his disciples to show that the Son of God was not so high that He couldn’t wash the feet of His followers,” recites Jones, timely for the political election season that tends to bring about pretentiousness. 

Rev. Lisa Harris, Bible Study Teacher, delves more deeply into the litany, urging listeners to practice to “walk humbly with God” in their daily lives. 

Coming together for the congregational songs “Trust and Obey” and “What a Fellowship (Leaning on the Everlasting Arms)”, Announcer Belinda Butler brought the house down with her boisterous energy introducing the game “The Price is Right”. By comparing prices of what pictured products currently are to what they used to be, players could guess which price was right with the 13 prices listed at the bottom of the page handed out. The winner guessed 8 of the 13 products correctly earning herself a gift. 

After laughter and joyous energy filled the church walls, the game concluded and the smell of homemade food filled the air. As the wondrous event came to a close, a prayer was offered and communion was well underway on World Community Day. 

For full stories and photos only published in print, pick up a paper at a newsstand near you, or check out the latest edition of our newspaper on Thursday each week.

V&V Issue

A Playwright In Africa Breaks Cultural Silence On Rape

By Moustapha Diallo, Associated Press

Under a spotlight in an otherwise dark room, Oliva Ouedraogo held up a piece of fabric that looked stained with blood. “Long live the girl!” she cried, her voice competing with the loud hum of a generator.

Ouedraogo was starring in her own play — “Queen” (known by its French name “Reine”) — at the Acte Sept cultural center in Bamako, Mali, earlier this month. More performances are planned in Ouagadougou, the capital of Burkina Faso.

It depicts the fictional journey of a girl who is raped by her stepfather on the night of his marriage to her mother, and decides to speak out against her family’s wishes. Ouedraogo said she wrote the play to address the culture of silence about rape and sexual assault.

“I cannot understand that you could be raped, and it’s you who is considered dirty, trash and — excuse my language — a whore. It’s you who must hide from the world,” she said.

Ouedraogo began acting in plays at 11 or 12, when she took interest in a theater company near her childhood home in Burkina Faso. She said what pushed her to write “Queen” was her anger that rape victims feel obliged to stay quiet in order to avoid familial conflict.

“I have to break this barrier of silence. In Africa, these barriers are here. Too many,” she said.

Adama Traore, director of Acte Sept, said sexual violence is felt in every corner of the world, from Africa to Europe, but is rarely talked about.

“So, at some point, we need to be able to confront the audience with these dark sides of ourselves,” he said.

In Mali, gender-based violence is widespread and underreported. A 2018 health survey by the Malian National Institute of Statistics reported that 45% of women aged 15-49 have experienced physical or sexual violence in their lives, the vast majority of this perpetrated by a family member – mostly their husbands, followed by parental figures. The report noted that of those that have experienced this violence, 68% have never spoken about it to anyone.

In comparison, the Rape, Abuse & Incest National Network in the United States reports that one in nine girls under the age of 18 experience sexual abuse or assault. Amnesty says one in 20 women aged 15 and over in the European Union has been raped.

Mariama Samake, the director of the Malian organization Girl in Distress, said the culture of silence that Ouedraogo campaigns against is widespread.

“I can say that in every family, we have girls that have been victims of rape,” she said. “Mali is a patriarchal society, so these victims are forced to keep quiet, to not speak.”

Ouedraogo said that she hopes that governments can prioritize laws that protect victims, and that talking about sexual assault in the open can encourage them to speak about it and get help.

“There is not a space where these victims can find each other, or have psychological care or a psychologist who can listen to them, talk to them. There just aren’t. So we see these girls and we say that ‘She’s crazy, she’s not well in the head,’ but no. There is something she has suffered, and that she just can’t express,” she said.

“So for me, the question is how to push these victims to come out of the shadows.”


Bethel AME Celebrates 100 Men in Black

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By Darrel Wheeler, Contributing Writer 

On October 20th, one hundred men in black showed up and showed out to celebrate 137 years of perseverance, worship, spiritual enlightenment, and a long resume of community service and fellowship at the Bethel AME Church.

Attendees at the special event were treated to a gospel selection by the legendary MLK Choir of San Diego.

Scripture was read from both the Old Testament and New Testament by Rev. Lynn Sharp. There was a crowd-pleasing praise dancer, the preaching of Pastor and leader of Greater Life Baptist Church Nate Stewart, and a special highlight on Big Bethel’s History by Bethel member, Charles Belafonte Wheeler.

The Greater Life Baptist Church choir also stopped by to uplift the attentive audience with songs of worship and joy. 

“I want to thank sister Pearly Killings for putting this together and making it all happen with the help from her friends. We are so blessed to have her here. She is amazing,” said Pastor Harvey L. Vaughn of Bethel AME.

“I just wanted to put something together to celebrate our Church’s legacy and for everybody to have a good time,” event coordinator Pearly Killings shared.

“I think it was a beautiful sight to see all these awesome Black men that came out to help us in celebration, and I want to thank them and everybody for their support today,” continued Pearly Killings. 

For full stories and photos only published in print, pick up a paper at a newsstand near you, or check out the latest edition of our newspaper on Thursday each week.

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The Big Battle of the Boulevard

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By Darrel Wheeler, Contributing Writer 

Billed as “The Battle of the Boulevard”, the Will C. Crawford Colt’s and Herbert C. Hoover’s Cardinals football rivalry roots go back to the 1950’s.

Only 1.5 miles separate the two east San Diego campuses.

“This rivalry has been going on for decades,” said Hoover’s Junior Varsity Head Coach and Hoover alum, Daniel White. “A lot of these kids played youth football with, and against each other, and the close proximity of the schools makes for an interesting and energy-filled rivalry.”

The 2024 version of the bitter rivalry got started on Thursday, October 31st, with the clash of the underclassmen (JV), as they stepped to Crawford’s polished football field for bragging rights.

The two rivals battled back and forth for four quarters of intensity-filled rockem-sockem football.

The Cardinals vs. Colts contest of wills and skills wasn’t decided until 15 seconds on the scoreboard clock. 

Hoover was led by the dynamic freshman duo of Taai Tuipulotu and QB Hez Manuel, with Hez engineering the game-winning drive and touchdown to seal the victory for Hoover’s JV Cardinals.

However, on Friday, Nov. 1, the varsity team featured QB Philip Huynh with 3 touchdowns; Trayvon Banks, wide receiver; and defensive heroes Jeffrey Krantz and Chris Gradney getting their revenge 29-27 over the Cardinals. 

“There was some trash-talking back and forth all week. It’s fun and a lot of us grew up together. That’s what makes rivalries exciting,” Crawford’s sophomore Amrie Patterson shared. 

This year’s victory bell goes to the mighty Colts of 4191 Colts Way!

For full stories and photos only published in print, pick up a paper at a newsstand near you, or check out the latest edition of our newspaper on Thursday each week.

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San Diego High School Alumni Association Celebrates Annual Wall of Honor

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By Yvette Porter Moore, Voice and Viewpoint Newswire 

On Saturday, October 19, 2024, the San Diego High School Alumni Association held their Annual Wall of Honor celebration during the “All-Class Homecoming” at the SDHS campus library. Celebrating 135 years of alumni graduates, this year’s event honored four outstanding alumni citizens, with over 60 attendees present. 

This year’s honorees included Charlie Brown, a retired San Diego City Schools employee and coach; Alyce Allen-Pipkin, a retired human resources professional with the County of San Diego’s Human Resources department, and a dedicated political and civil rights advocate; former Fire Chief Rober Osby (award accepted by his children); and Makeda ‘Dread’ Cheatom, owner of the WorldBeat Cultural Center.

The Wall of Honor Committee was organized by Mrs. Deborah Malbrough. Alumni Board Members who participated included President Eddie Head, Historian Yvette Porter Moore, honoree Charlie Brown, Membership Chair Gaspar Luna Oliveira, and Alumni Secretary Andrea Sierra. Fire Chief Robert Logan was present. The school principal, Francisca “Franny” Del Carmen, and School Board Member Richard Barrera also addressed the attendees.

For full stories and photos only published in print, pick up a paper at a newsstand near you, or check out the latest edition of our newspaper on Thursday each week.

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